“The Bachelorette” Week One Power Rankings
My “The Bachelorette” Week One Power Rankings
Movies…with a little bit of obscure culture and sports mixed in
My “The Bachelorette” Week One Power Rankings
Diamonds Are Forever won’t stick in your memory forever, but it’ll occupy two hours and give you a bit of a callback to the better bits of Connery as Bond, even if it doesn’t reach the potential peak.
There is an argument that the song Live And Let Die by Paul McCartney and The Wings is the greatest Bond theme song ever, but you can’t make that case for the movie.
I am a married man. There is a ring on my finger. Emma and I did the damn thing.
And yes, I know this is three straight Brosnan films in a row. That says something, doesn’t it?
Tonight, the new season of “The Bachelorette” kicks off with Jenn Tran as the lead. It’s time to meet the men who are vying for the heart of the (probably too) young lead.
Die Another Day was the first Bond movie I ever saw…and nostalgia doesn’t hold up.
I’m terribly sorry, but Denise Richards drains the swamp with her role in The World Is Not Enough.
Quantum Of Solace is beyond a stepdown from Craig’s debut film, Casino Royale.
Perhaps that’s too much information? Ah, who cares. This is what it is.
Can we be real? The name of this film stinks.
Alright, we have our first bad Sean Connery James Bond movie. It has happened.
Rather than staying the course and touching up smaller cracks from a solid reboot, director John Glen and Dalton decided to take another sharp turn with License To Kill.
It’s bad. It’s really bad. It is the worst.
Over the next few weeks, I will release my rankings of the movies. Come the end of this journey, there will be a massive post with all my thoughts wrapped into one.
Rope (1948) is an Alfred Hitchcock film that doesn’t rely on outstanding visuals or shocking plot twists. Rather, Rope is an outstanding film because of its tight script, which is brought to life with outstanding performances. Taking place in one room over the course of a few hours, Rope dispenses with the who-dun-it mystery and instead places character’s motivations at the forefront.