Ranking James Bond Films: #3 – “From Russia With Love” (1963)
Right from the jump, From Russia With Love feels different. It feels scarier. Bigger.
Movies…with a little bit of obscure culture and sports mixed in
Right from the jump, From Russia With Love feels different. It feels scarier. Bigger.
The Spy Who Loved Me surpassed expectations and stands tall as Roger Moore’s crowning achievement as 007.
The test case for a successful Bond movie needing a stellar villain begins here, with Goldfinger.
The Man With The Golden Gun throws the viewers into the fray using the same introduction as From Russia With Love: a hitman training other hitmen to be better killers.
Timothy Dalton’s first of two outings as James Bond doesn’t have nearly the campiness or seductive power that Roger Moore and Sean Connery end up dripping to. Smiling is not something that Dalton’s 007 is prone to.
Hello, Diana Rigg. I would like to profess my love for you.
There is always something special about the first. In 1962, Ian Fleming’s international spy debuted in Terence Young’s Dr. No. Sean Connery isn’t on the screen to open the movie, but when he introduces himself at the poker table, it is impossible not to go all in.
The first of five Glen Bond movies is a breathe of fresh air for Roger Moore and the franchise.
The fourth Bond movie in four years, Thunderball starts to show the straining wrinkles that would plague overstuffed Bond movies set to come in the future.
Roger Moore knew he was too old to play Bond, but dammit if he didn’t give it one final go.
Diamonds Are Forever won’t stick in your memory forever, but it’ll occupy two hours and give you a bit of a callback to the better bits of Connery as Bond, even if it doesn’t reach the potential peak.
Can we be real? The name of this film stinks.
Rather than staying the course and touching up smaller cracks from a solid reboot, director John Glen and Dalton decided to take another sharp turn with License To Kill.