Movies…with a little bit of obscure culture and sports mixed in
Fair Play dives deep into power dynamics and takes courageous chances in getting to its final destination. Writer and director Chloe Domont does not shy away from male vs. female dynamics in the office, or in the bedroom.
In my (most likely futile) quest to watch all Stephen King inspired movies, I stumbled across one of the weirdest viewing experiences of my life.
So here I am, a year later, pressing play ready to get scared. And you know what? I was very scared. Director and writer Parker Finn puts an outstanding premise on The Ring (2022) formula and feathers Smile with accents of natural uneasiness and deep-rooted grasps at mental health stigmas.
I have said it once, and I will say it again. I love a good surprise. Significant Other (2022) is a brisk 84-minute Paramount+ original science fiction thriller set in the claustrophobic Pacific Northwest.
It’s about time we stop making movies based on amusement park rides. The Pirates of The Caribbean (2003) set the fervor in motion, yet after that the Disney machine couldn’t fix it.
Titanic is pretty good. Ever heard of it?
As one grows older, one grows fonder of stories that don’t treat their audience like adolescents. As one grows older, one appreciates movies that are shadowed with complex dialogue, ambiguous characters and unpredictable plots. Michael Clayton is an anxiety filled reminder that giving the green light to top-notch filmmakers when they have a high concept story with top-quality actors attached is never a bad idea.
The idea of multiple identities or personality is hammered home in the final moments of the trailer when Fassbender is staring into a mirror and stating “Hey.”
It is a safe bet that less than 5% of the people clicking on this blog have heard of The Presidio (1988).
Midnight Run (1988) is a combination of Planes, Trains And Automobiles (1987) and The Nice Guys (2016). That should be enough to entice you to check it out.
Enzo Ferrari (Adam Driver) is in trouble, and is seemingly having an identity crisis while also trying to save the family business from falling into irrelevant bankruptcy.
This second preview of the infamous and world-changing French man plays a lot more towards a populous audience, highlighting large scale military set pieces and an immediately recognizable popular rock song as its music bed. This trailer is fast-paced, punching the audiences with director Ridley Scott’s accomplishments and the award prowess of its two main stars.
With all these grumblings, of which there are more, I personally would adopt the Meg 2 off the back alley of terrible films. I would not recommend the movie to anyone with a normal taste pallet for entertainment, but if you are the type who loves to point out the mistakes and soak in the mud, then maybe Meg 2: The Trench is for you.
HOW MANY TIMES DOES BUMBLEBEE NEED TO DIE IN A TRANSFORMERS MOVIE?? JESUS CHRIST.
The viewing experience of the Texas Killing Fields is like eating a canterbury Easter bunny. You look at the film’s IMDB page and it is hard not to get excited. The cast is full of recognizable names and the premise of the story seems bullet-proof. The film is based on a true story and seems to have the appropriate sense of scale. You want to bite into it and be showered in indulgence. However, this viewing adventure ends up being remarkably hollow and begins to crumble when pressure is applied.
Sliver forces the audience to shy away from the screen because of its subject matter and how it goes about illustrating its debaucherous sleazy nature.
Stanko's Stance 